My work explores the fragile relationship between memory, place, and identity through form, surface, and structure. I am drawn to the way light interacts with physical materials—how it grazes edges, pools in recesses, or dissolves hard boundaries. These subtle exchanges between light and matter become entry points for reflecting on impermanence, perception, and the quiet imprint of lived experience.

Each sculpture begins with a moment of recognition—an emotional impulse or fragment of space that lingers. I rarely work from a fixed plan; instead, I let the materials and their resistance shape the direction. Additive and subtractive processes, revisions, and intuitive shifts mirror the way we construct and revise memory. The tension between precision and unpredictability is integral to my practice, creating objects that feel at once intentional and unresolved.

Ultimately, my work invites a tactile encounter—a pause to observe how volume, surface, and shadow resonate in space. I want the viewer to move with the piece, to notice how its presence changes with light or proximity, and to bring their own associations to the forms. By grounding abstraction in material experience, I aim to evoke reflection through quiet, physical intimacy.